So leave yourself some wiggle room on both sides of the cut. That is, if the speaker talks until the very end of the first clip, and starts right up at the beginning of the second, it may be challenging to create a smooth transition. One key limiting factor on the morph cut is how much space it has to work with on each side of the cut. You can see how natural the effect can make some cuts look around the 2:14 mark of the tutorial video at the bottom of this page. Once the analysis is finished, you probably want to render the entire work area so it will play smoothly. Then Premiere Pro analyzes the clips.Īnalysis time depends upon the speed of your computer, and it takes anywhere from 30 to 60 seconds on my old 8-core old Mac Pro. As with any transition, you can center it or place it on either side of the cut. To apply a morph cut, go to Effects and type “morph” into the search field, or navigate to it in the Video Transitions > Dissolves folder, and drag it onto your timeline where you want to apply it. The new Morph Cut transition will help you smooth your cut without requiring you to resort to any of these traditional workarounds.
You want to transition between the now-adjacent clips without a jarring jump cut where your speaker’s head obviously moves, and you don’t want to try to cover it up by applying an awkward transition or reframing the shot. Let’s say you have a cut in your timeline where you’ve removed a digression or unwanted word or phrase from your interview. It’s also a problem when you edit content out of a particular clip, and that’s the process I’ll use to demonstrate the feature in the tutorial video at the bottom of this page. When you have to piece together different components of an interview, they don’t always match up. If you’ve shot and edited interviews, you’ve doubtless dealt with jump cuts. In this tutorial I'll demonstrate the Morph Cut transition, a key new feature in the 2015 release of Adobe Premiere Pro CC.
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